In my experience, ancient Romania was a transformational adventure, and with pure intent, you evolve. Further, I asked myself why I was captivated by Romania and their ancestors. It felt like the primordial Zamolxis laid dormant inside me, and as I walked through the Geto-Dacian sanctuaries, I observed a resurrection.
In General, studying our ancient origins opens doors that our modern-day secret societies and religions closed. Regardless, reconstructing Romania's ancient past is crucial for Humanity; it's one of the last to be discovered. Unfortunately, many of Romania's old records have been stolen and scattered worldwide; the other countries claimed these treasures. As a result, for the past 10 years, I took on the role of a shepherd sorting out the wandering Dacic code. While living in the Sarmizegetusa region, I received information and promised to spend the rest of my life unearthing its ancient secrets. Finally, I have a good team around me contributing to the vision. If my life ended early, they would pick up from where I started; this gives me hope that the world will see authentic Romania and its ancient origins.
Moreover, I discovered significant parts of Romania's ancestors are missing; parallels needed to be drawn from other primordial societies I was immersed in. I synthesized 15 years of researching ancient Origins to give an accurate account of the Geto-Dacians. For example, when referencing primitive science, the language of Zalmoxis has many interpretations (Salmoxis, Zamolxis, Zalmoxis, Zamolxe, Samolxis), each variation can ring true for the individual who perceives such a thing exists. Zamolxis is located worldwide as the Pleiades found in art, architecture, poetry, and cults/Religions. However, I wanted to use the spelling of Zamolxis because it resembles the collective or a council of people, the Element of air and the Oversoul. On the other hand, I enjoyed the language of Zalmoxis/Zalmoxe; it represented the individual, the body, the Element of Earth and the higher self.
In short, may it be known that Zalmoxis was not a man; these names, and their many sources, are a story lost in translation. Zalmoxis is an Aryan of the Danube, and Carpathian influence passed from the royal dragon bloodline into contemporary philosophy and religions. Further, Zamolxe has no ties to tradition, patriotic values, political systems, or religious characters. As a result, no philosophical or historical debates or conclusions to any thesis are finalized unless one can see the Zalmoxis as Universal in nature. Ultimately, ownership and claims to intellectual property can inflate a person's perceptions and keep them in an endless loop of consumption; this creates limitations. Finally, when you attain knowledge in all things great and small, you are King; only then do you have the right to wear the Crown of Zamolxe and commune with Zamolxis.
In Romania, several Geto-Dacian crowns were discovered. As Follows: The Golden Helmet of Coțofenești, Helmet of Peretu, Helmet of Agighiol, Helmet of Cucuteni-Băiceni and the Helmet of Iron Gates. The crowns are much older than historical facts suggest; it's difficult to date the age of metals using the standard radiocarbon process.In addition, the dating methodology relies on the object's assessment, such as geographic location and knowledge of metals like the term Bronze or Iron Age. As a result, when a Gold or silver crown is discovered in Romania, they observe the surroundings and carbon test the artifacts found in or near the location, such as wood, leather, cloth, pottery and resins. This approach limits the crown's age; it's no one's fault; crowns are passed down from one generation of royals to the next, so more often, they are older than documented. Finally, now that we discussed metal compositions and location, we can focus more on crown symbology and function.
What is the difference between Crowns and helmets? Parallels were drawn from my research in Egypt to accurately describe the variations of ancient crowns discovered in Romania. Likewise, both countries displayed mythical creatures and mystical eyes for decorations. First, the word crown is a generic term suggesting several headdress varieties worn by Kings and the royal family handed down from ancient bloodlines. Next, the crown's colour, artwork, shape and size state the region of kingship, communicate power and identify deities in religious or war ceremonies. Concerning Helmets, they are worn by a lower class of society and not associated with the Royal family. The discoveries in Romania are crowns worn by Geto-Dacian Kings, not helmets.
When I lived in Egypt, the archeologist I studied with explained several styles of crowns. Further, they synthesized the information into a group of 4 categories to deepen their study and better understand the crown function. For Example, the Blue Crown (Khepresh), Double Crown (Pschent), White Crown (Hedjet), and Red Crown (Deshret), represent the Nile Delta, Nile Valley, and upper or lower regions of Egypt. In addition, the Kings or Royal family wore the crowns into war as a patriotic flag, modelled during parades to show signs of power and when the king sat on his throne, symbolizing unification. Therefore, the Geto Crowns were used for the same purpose; holidays, ceremonial, religious, and war parades. So, the Gold Crowns symbolize coalition and high status; the silver represents the most prosperous and fertile regions. Finally, I am aware that there were several styles of crowns and many other interpretations in ancient Egypt and primordial Romania. Still, it’s essential to establish a simple foundation for a storyline so future studies and generations can build upon it.
The crowns from the Iron Gates of Danube suggest a consistent theme that I call the eyes of Zalmoxis, also illustrated are mythical creatures, Zoomorphic. Again I observed the similarities between other ancient societies I researched, such as the aboriginals of North America. Besides, when I traced the origins of my native name, it led me to Bulgaria, confirming that the locals of Canada did migrate from Eastern Europe across the Bering Strait. Further, like the aboriginals, the eyes on the Getae Crowns symbolized animal spirits like the eagle, hawk or owl. Also, birds of prey were a sign of wisdom and messengers from the sky people (angelic beings); the native totem of the thunderbird was glorified among all tribes with legends similar to Horus and the Falcon.
In Egypt, the eyes were coded into a large portion of their art, architecture and fashion with several interpretations, such as Ra and Horus. First, the eye of Ra, the sun god, symbolizes the right eye of power, the patriarch, vision and unlimited access to the Gods. Besides, he was a creator god associated with forming all life and the seasons. Next, the eye of Horus was the god of the sky, protection, war, the birds of prey and unlimited access to the Goddess, the matriarch. Further, when two eyes appeared as Horus, they represented the balance of the Gods and Goddesses, the masculine and feminine his right eye represented the sun and his left eye the moon. Also, the Eye of Horus design resembles the pineal gland, the soul's seat and mastery of anatomical/cosmic knowledge. Finally, the eyes were associated with red and white crowns; the red crown defined the fertile Nile river basin and the white crown unification of Upper and Lower Egypt.
Suppose we build a metaphorical bridge from ancient Egypt to primordial Romania; Helios is Ra and Apollo for Horus. Ultimately, Apollo and Helios's origins are Hyperborean-Aryan and Geto-Dacian, so it's conceivable the crowns from the Danube Gorge that depicted two eyes were worn by Getae kings who worshipped Apollo and Helios. Further, the gold Getae crown can represent a pine cone or bee hive. Similarly, In Sumerian and Babylonian folklore, the eyes meant a bee and the gold crown shape of a hive or pinecone, hence the matriarch. The Sumerians and Thracians were the Pollen Gods who adored honey and the pine cone used via esoteric acts of awakening as long as art and culture have existed. Generally, the name "pineal gland" is given because of its pinecone shape; the ancients discovered its mystery and created a science around it; we now know the pineal as the "Third Eye," the multidimensional centre of the brain.
The primordial people were conscious of magic to attain the highest social status and spiritual illumination levels. Once ascension was achieved, they dressed in treasures denoting images of enlightened icons; in our time, we call this acting like a peacock, the symbol of masculinity and the patriarch. Interestingly enough, National Geographic wrote an article on the peacock that aligns with the topic. The term "peacock" is commonly used to refer to birds of both sexes. Technically, only males are peacocks. Females are peahens, and together, they are called peafowl. Suitable males gather harems of several females, each of which will lay three to five eggs. The Assyrians are pictured with feathered wings showing pinecones held in one hand and a sachet of bee pollen in the other.
Today the Vatican built a monument of a large pinecone with peacocks to showcase their knowledge of the Assyrian mystery schools. Finally, ancient art and architecture present the pine cone throughout Tibet, China, Egypt, India, and Mesopotamia. Likewise, the Getae crown pattern is on the headdress from Tibet worn by the King Buddha and in India modelled on Shiva. Honey and pollen were the food of ancient kings, a divine meal granting longevity and enhancing the technology of the Gold that the Royals wore as jewelry, like the crowns of the Danube and the armbands from Sarmizegetusa Regia. Likewise, Ambrosia (the drink) and nectar were the god's food and immortality. Again, I will use other civilizations and their mythology to accurately describe the Getae king's worship of the Bee and its medicine. Besides, the Geto-Dacians inspired and paved the road to mythology and religions worldwide.
The Getae worshipped Gebeleizis, the Geto Dacian King of Gods and thunder or lightning (storm); the Greeks called him Zeus and Jupiter by the Romans. Also, the kings adored Hestia, the Queen of Fire and keeper of the cosmic flame; she was a role model for Melissa, the Queen bee. Next, ancient Greek mythology tells us that Zeus had many names; one of these titles given to him was "Melissaios which means "Bee-man." He received this name when his mother hid him in a secret cave on Mount Dictec away from his father, Kronos. Fortunately, the cave was filled with magical bees, which fed the infant honey; in the cave, the god lived until he was grown, dethroned Kronos and became king of the gods. Later, Zeus rewarded the bees by turning them into bright gold in colour. Also, Apollo's gift of prophecy came to him from three bee maidens. Finally, Dionysus was raised in a cave and fed honey; like Zeus, he is associated with beekeeping and became the god of Mead wine, the alcoholic beverage during his time. In Egypt, the bees are messengers of the Gods who grew from Ra's tears when they fell into the desert sand. Likewise, the Bee was worshiped as a guide into the afterlife, symbolizing immortality.
In conclusion, these legends of bee worship can establish a foundation for the hive-shaped Golden crowns that display the Bee's eyes and the Getae-Dacian accounts of immortality. But, in the end, one should never limit perceptions while studying ancient artifacts; you never know what can unlock in the conscious mind. Boldly, I am fortunate to have travelled, acquiring years of experiential or hands-on investigations. In addition, I was invited to archaeological sites that were never opened to the public. However, the most enriching part of my journey was living among the elders in the regions I visited and helping the villagers who hosted me. Thank you, Romania; you now opened my eyes and heart to the truth; I glorify your country daily.